Lazy Cinema Club


Writings
  1. It’s a ghost, ghost world.
  2. The Gallop of Desire.
  3. Elle est perdue.
    A Psychogeographic Walk through Agnès Varda’s Paris in Cléo from 5 to 7.
  4. Know Who You Are at Every Age:
    A Sketch on Memory in The Souvenir I & II.
  5. We’re still falling, but maybe we’re just getting closer to the ground.
  6. How to Tame Modernity?
    Situationist Practices in Jacques Tati’s Playtime.

Curating
  1. Glancing is a Form of Contact.
  2. Beyond the Human Gaze: Balthazar & EO.
  3. Daydreams - Celebrating David Lynch.
  4. Jim Jarmusch’s Favorite Films.
  5. What We Do in Isolation: Life in Lockdown.
  6. Under Pressure: Women, Cinema, and the Limits of Representation.

Interviews
  1. A Cinema of Many Gazes

About

Lazy Cinema Club – an informal, personal space for watching films in all kinds of settings: at home, at festivals, alone or with others, in any mood and moment. Rooted in the simple joy of viewing, it embraces the ease and meaning that emerge wherever cinema happens. It reflects a spontaneous, intuitive approach to programming – choosing films in response to a feeling, a need, or a moment of curiosity


● About


Aleksandra Sadulska is a writer, curator and film programmer based in Warsaw. Her work focuses on the intersections of film, visual culture and critical theory, with a particular interest in the poetic and political potential of cinema. She has contributed essays and film criticism often exploring the boundaries between analytical writing and personal reflection.

She has curated film programs and written texts for Kino Iluzjon (Polish National Film Archive), where she was also responsible for communication and festival partnerships. Her curatorial projects in the field of visual arts include collaborations with Wanda Gallery, Sabot Gallery and SafeDeposit. In 2023, she completed the Winter School of Programming at the International Federation of Film Archives in Paris.

She is especially drawn to writing that situates films within wider cultural landscapes.